Wiki Tags Archives: Book reviews

The Librarian Parlor


Publication analysis

About the publication

Title: The Librarian Parlor or LibParlor



Purpose, objective, or mission: “. . . a space for conversing, sharing expertise, and asking questions about the process of developing, pursuing, and publishing library research.”1

Target audience: All library, archives, and information workers especially those new to the research community.2

Publisher: The Librarian Parlor. 

Peer reviewed? No.

Type: LIS professional or trade publication. 

Medium: Online.

Content: Any topic relevant to the LIS profession, with an emphasis on material about research in the LIS field. 

Frequency of publication: “LibParlor posts are published to the website on Tuesdays about twice a month at 1 PM EST.”3

About the publication’s submission guidelines

Location of submission guidelines: 

Types of contributions accepted: The following are the types of contributions accepted for this publication: “informative or reflective blog posts; how-tos (develop research agenda, write proposals, submit IRB, etc); quick tips list; recommended reading; how it started, how it’s going; series; and webinar.”4

Submission and review process: Authors can submit their proposals for articles through this submission form: After submitting, authors will hear back from an editor within one week. 

Editorial tone: “Posts should be written for an audience new to research, not to experts. This is an informal, conversational space, and we like the tone of our blog to reflect that. We encourage you to write in the first-person and avoid passive voice.”5

Style guide used: The Editorial Policies Guidelines can be found at

Conclusion: Evaluation of the publication’s potential for LIS authors

LibParlor is an excellent place for LIS professionals new to research to publish their work in and to find a supportive community–professionals can seek connections with other members, find collaborators for projects, or share opportunities for editing works, participating in research, etc.6


Audience analysis

About the publication’s readers

Publication circulation: As of September 2021, the LibParlor website has had more than 41,710 visitors and 378 followers. Additionally, the LibParlor Twitter account (@libparlor) has 2,793 followers.7

Audience location and language or cultural considerations: Personal communication with an editor of the publication revealed that LibParlor has a worldwide readership and sees readers from the United States, Canada, Australia, the United Kingdom, India, China, New Zealand, Philippines, South Africa, and Germany).  The material on the site is written in English. 

Reader characteristics: Regarding their writers and their audience, the publication states “We intentionally work towards providing space for those with a variety of types of work experience such as non-tenure track librarians and library workers without the librarian title, as well as those with different lived experiences, such as people with disabilities, librarians of color, non-binary, and LGBTQ+ folks.”8

Readers’ knowledge of LIS subject matter: Due to the targeted LIS readership of this publication, readers will have more knowledge of LIS topics and jargon than the general population. However, the articles should be written so that those new to research can understand it.9

Conclusion: Analysis of reader characteristics and their potential impact on authors

LibParlor provides LIS professionals, particularly those new to research in the field, with a place to gain experience in publishing as well as a place to build connections with other professionals.

Additionally, the LIS Wiki team facilitated an interview with Chelsea Heinbach, a co-founder and editor of LibParlor. Readers can learn more about the founding of LibParlor, the purpose of the publication, submission tips, career advice, and more about Chelsea in the interview blog

Last updated: September 23, 2021


Show 9 footnotes

  1. “About”,, accessed April 6, 2021,
  2. “About.”
  3. “Editorial Policies Guidelines”,, accessed December 6, 2020,
  4. “Ways to Contribute”,, accessed December 6, 2020,
  5. “Editorial Policies Guidelines.”
  6. “Classifieds”,, accessed April 6, 2021,
  7. Readership and Twitter follower data were received via personal communication with an editor of LibParlor in September 2021.
  8. “About.”
  9. “Editorial Policies Guidelines.”
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McSweeney’s Internet Tendency

Publication analysis

About the publication

Title: McSweeney’s Internet Tendency



Purpose, objective, or mission: A daily humor website, “McSweeney’s exists to champion ambitious and inspired new writing, and to challenge conventional expectations about where it’s found, how it looks, and who participates. We’re here to discover things we love, help them find their most resplendent form, and imagine new ways to bring them to you, Dennis. (If you are not Dennis, kindly ignore the aforementioned.)” 1

“McSweeney’s, however, delivers its humor in a high-brow lit mag sort of way. It’s a place where you can simultaneously experience the comic satisfaction of watching a great sitcom and the glorious smugness of reading a New Yorker think piece.” 2

Target audience: Individuals who enjoy humor/satire  in writing.

Publisher: McSweeney’s Publishing. 3

Peer reviewed? No. 4

Type: Civilian publication

Medium: Website and e-newsletter.

Content: Content is intended to be humorous/satire.  “The thing we are most proud of is that for many of our contributors, McSweeney’s Internet Tendency is the only place they’ve ever published publicly. At some point, something funny or odd occurred to them – a list, a new food review, a short imagined monologue – and they had a place to put that funny and odd thing in order to share it with the world, a private joke made public.” 5

Frequency of publication: Daily.

About the publication’s submission guidelines

Location of submission guidelines:

Types of contributions accepted: All types of submissions are allowed. Lists, open letters to people who are unlikely to respond, monologues, food reviews, etc. “Submissions should be shortish. By shortish we mean an absolute maximum of 1,200 words, but in truth we veer toward pieces that are under 1,000 words, and snuggle closest to ones that are even shorter than that. Your subject line should contain some indicator of what is contained in your submission.” 6

Submission and review process: There are separate email addresses depending on the nature of your submission. The website notes DO NOT send the same submission to multiple addresses, it is unnecessary as it all goes to the same editor. Please paste the entire document into the email message. Please don’t share Google docs or links to your private blogs. Also, very important: do not send us attachments. 7

General website submissions should be sent to

Timely submissions should be sent to This inbox is for super topical pieces riffing on big news stories of the last 24-48 hours.

Lists submissions should be sent to

Open Letters to People or Entities Who Are Unlikely to Respond submissions should be sent to

Reviews of New Food submissions should be sent to

“We get hundreds of submissions a week and, like we have mentioned, there’s just one editor reading them all. So, it’s only natural that this editor will be drawn to submissions with funny, eye-catching titles that cleverly reveal the premises of pieces.” 8

Editorial tone: Light and comedic/satirical

Style guide used: None Specified. “Please do not format your piece in an unusual way. Do not use colors or fun fonts.” 9

Conclusion: Evaluation of publication’s potential for LIS authors

LIS authors may have as good a chance as anyone for getting a submission accepted in McSweeney’s Internet Tendency. Their whole publication process seems to be highly informal, but the quality is certainly on par with journals that have higher subscription/circulation rates. An exploration of McSweeney’s multiple related websites is a must to see if your writing project is a match for their style. LIS authors might contribute a fiction or nonfiction piece inspired by their experience as library professionals, keeping in mind that the purpose of such pieces should ultimately be to entertain the reader, rather than function as straightforward articles on an LIS-related issue.


Audience analysis

About the publication’s readers

Publication circulation: “The Tendency’s biggest hits have gotten millions of pageviews, and many stories do well, reaching tens of thousands.” 10 The website has a social media following of over 180,000 on Facebook, over 274,000 on Twitter, and over 48,000 followers on Instagram.

Audience location and language or cultural considerations: The publication first started in San Francisco, CA, but coverage geographically spans the globe. Content is published in English.

Reader characteristics: While no information regarding reader demographics is provided, a review of publication suggests readers are intelligent, open minded, literary, and comfortable thinking outside of the box, especially in a satirical way.

Knowledge of LIS subject matter: Limited, the same as the general public.

Conclusion: Analysis of reader characteristics and their potential impact on authors

With this publications, LIS authors have an opportunity to engage with readers from a fun, satirical viewpoint, one not typically taken for LIS. While the readership may enjoy high brow humor, there is the potential to address LIS trends, barriers, ethics, and beyond as long as it comes with a comedic edge. The key is to be creative in approach. With shorter word limits, LIS authors can convey concepts in small, precise ways that do not need to meet  academic-level research and review standards.

Last updated: December 5, 2020


Show 10 footnotes

  1. “About Us,”, accessed December 5, 2020,
  2. “McSweeney’s,”, accessed December 5, 2020,
  3. “About Us.”
  4. “Submission Guidelines,”, accessed December 5, 2020,
  5. “Patreon,”, accessed December 5, 2020,
  6. “Submission Guidelines.”
  7. “Submission Guidelines.”
  8. “Submission Guidelines.”
  9. “Submission Guidelines.”
  10. “McSweeney’s Meets Internet,”, accessed December 5, 2020,
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Los Angeles Times

**Please Excuse the Mess, Profile Update in Progress**

Publication analysis

About the publication

Title: Los Angeles Times (LA Times)

ISSN: 0458-3035 1

Purpose, objective, or mission:The Los Angeles Times is the largest metropolitan daily newspaper in the country. The Pulitzer Prize-winning Times has been covering Southern California for more than 138 years.”2

“Bringing truth to power through creative storytelling, original reporting and accountability journalism that impacts lives and pushes change.” 3


Target audience: Residents of Southern California and beyond. “Millennials, Gen X, Multicultural Influencers, Affluent Consumers, Families and Parents, Boomers.” 4

Publisher: Los Angeles Times Media Group.5

Peer reviewed? No.

Type: Civilian publication.

Medium: Print and online. Archives are available online from the founding of the paper in 1881.6

Content: News reports, investigative journalism, editorials, reviews, and various columns. The website’s sections include news at the Local, Nation, World level, as well as Business, Climate & Environment, Entertainment & Arts, Food, Housing & Homeless, Lifestyle, Opinion, Politics, Science, Sports, and Travel. Several more options can be found viewing the Site Map. 7 Of interest to LIS writers, there is a special Books sub-section under Entertainment, including fiction and nonfiction book reviews and features.

Frequency of publication: Daily. 8

About the publication’s submission guidelines

Location of submission guidelines:

Types of contributions accepted: Op-ed articles are welcome on any subject. Per the website, “Most articles are about 750 words in length, though some are shorter, and on Sundays we can sometimes run pieces as long as 1,200 words 9 For more information on op-ed pieces, see former editor Nicholas Goldberg’s explanation of op-ed processes and goals. 10

Letters to the Editor are another option if you wish to respond to anything already published. They are limited to 150 words. 11

Blowback, is another opportunity to publish within the Times. “Got a beef with the L.A. Times? Read something in the paper that really ticked you off, but haven’t got a place to make your opinion heard? Want to write an article about it and get it into The Times? Blowback is The Times’ forum for full-length responses to our articles, editorials and Op-Eds. It is the missing link between the 150-word letter to the editor and the Op-Ed piece, and you’re invited to participate. We’re willing to post Blowback items on both news and opinion pieces, but our focus is on opinion. The idea is to present countering opinions, not to provide a forum for pointing out errors or critiquing bias in the Times’ news coverage.12

Submission and review process:  Op-Ed articles: Email op-ed submissions to We make every effort to read manuscripts promptly. If the article is accepted for publication, you will hear from a Times editor within five days. We regret that the volume of submissions we receive means that we cannot respond individually to each article, nor can we provide feedback to proposals or queries. 13

Letters to the Editor: Complete the form located here . “We generally do not publish more than one letter from a single person within any 60-day period. Letters become the property of The Times and may be republished in any format. They typically run 150 words or less and may be edited. You will be contacted if your letter is a candidate for publication.” 14

Blowback: Email Blowback submissions to 15

Editorial tone: Journalistic.

Style guide used: None specified.

Conclusion: Evaluation of publication’s potential for LIS authors

Los Angeles Times is read by a general audience (not necessarily confined to Southern California) who wants to be ahead of the local and world news. Op-ed pieces about new digital collections, expanded library services, or opening of a new library branch would benefit LIS authors. You might also consider submitting a press release or event listing regarding a library event.


Audience analysis

About the publication’s readers

Publication circulation: The Los Angeles Times is “the largest metropolitan daily newspaper in the country, with a daily readership of 1.3 million and 2 million on Sunday, more than 30 million unique visitors monthly and a combined print and online local weekly audience of 4.6 million.” 16

According to their current media kit, The Times has 46 Million unique visitors, 90 Million page views, 7 Million+ social followers, 332,000 monthly shares on Apple News, 845,000 video views, 4.4 Million weekly print + digital readers in Los Angeles, 2.9 million weekly print readers, 1.8 million Sunday print readers, and 1.2 Million daily print readers. 17

Audience location and language or cultural considerations: Los Angeles Times is regional to Southern California, but it’s journalism and reporting covers content on a global scale. While printed in English, Los Angeles Times En Español is also available.

Reader characteristics: “We reach distinct, affluent and diverse audiences of multiple generations, demographics, preferences and interests.” 18

Knowledge of LIS subject matter: Being a lay publication, Los Angeles Times will require LIS jargon-free contributions. While readers may be familiar with library issues, like Deleting Online Predators Act (DOPA) and Dewey call numbers, generally authors should avoid writing on heavily specialized library topics such as OpenURL link resolver software technology or collection management.

Conclusion: Analysis of reader characteristics and their potential impact on authors

The newspaper’s readers are spread all over the world. They are everyday patrons and potential donors, suggesting they may wish to keep their submissions LIS jargon free and stay away from highly specialized topics. There is potential for publishing on a myriad of topics through the Op-Ed avenue that may be of interest to readers.

Last updated: December 5, 2020


Show 18 footnotes

  1. Los Angeles Times,, accessed March 24, 2018,
  2. “About,”, accessed October 3, 2016,
  3. “Media Kit,”, accessed December 5, 2020,
  4. “Media Kit.”
  5. “About.”
  6. “Archives,”, accessed October 23, 2018,
  7. “Site Map,”, accessed October 3, 2016,
  8. “About Us.”
  9. “Submitting an article to Op-Ed,”, accessed October 3, 2016,
  10. “Op-Ed, Explained,”, accessed October 3, 2016,
  11. “Submitting an article to Op-Ed.”
  12. “About Blowback,”, accessed December 5, 2020,
  13. “Submitting an article to Op-Ed.”
  14. “Submit a letter to the Editor,”, accessed December 5, 2020,
  15. “About Blowback.”
  16. “About.”
  17. “Media Kit.”
  18. “Media Kit.”
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Mental Floss

Publication analysis

About the publication

Title: Mental Floss

ISSN: Print: 1543-4702 (ceased), Online: N/A 1


Purpose, objective, or mission: “Whether we’re covering history, science, pop culture, language, music, true crime, or entertainment, we help our audience feel smarter. Our New York City-based team of editors and writers—as well as our worldwide network of contributors—answers life’s big questions, uncovers fascinating facts, and finds stories so interesting that our readers absolutely must share them.”2

Mental Floss delivers smart, fun and shareable content in an upbeat and witty environment. An encyclopedia of everything, we answer life’s big questions and uncover stories so interesting our readers absolutely must share them. We take all culture and make it pop culture.” 3

Target audience: “Curious People.” 4

Publisher: Minute Media. 5

Peer reviewed? No.

Type: Civilian publication.

Medium: Online. Print issues ceased in 2016. 6

Content: Fun and informative pieces on a wide variety of subjects with a focus on shareability.7

Frequency of publication: Daily.

About the publication’s submission guidelines

Location of submission guidelines:

Types of contributions accepted: “We’re always looking for new voices to write about the diverse verticals we cover, whether that’s history, science, entertainment, language, pop culture, art, or beyond.” 8


Lists are an overview of a topic in digestible-nugget form. Each list will cover the who, what, when, and where of the subject, plus its significance, and pay particular attention to quirky or little-known facts about the subject. Pitches may focus on the below topics:

Subjects that have a major anniversary coming up
Historical figures and events
Movies and TV series
Literature and art
Food and drink
Helpful tips and life hacks
Scientific discoveries, phenomena, and figures
Pop culture fads, events, and personalities


Features are reported stories that delve into a topic from a particular angle and with strong characters and storytelling. Features can be short (500 words) or longer (800-1500 words). Areas ripe for features include:

Historical events that put current events into perspective
Exploring and/or answering a big question
Science stories that explain a new field of research or highlight a scientist’s ongoing work
A deep dive into a pop culture event or phenomenon in history
True crime and unsolved mysteries
Features about odd, unique, or little-known historical events and people

Short, timely news stories: these pieces are covered by our staff writers
Science articles based on a single study: these are also covered by staff writers
First-person articles or personal essays
Fiction, memoir, or poetry
Current politics or political opinion
Stories based solely on PR pitches

Tips provided by Mental Floss: Keep your pitch short (1-2 paragraphs) and let them know if you have a particular expertise on the subject. Include a link to your portfolio/work samples. Do not pitch or send completed articles.  Take the time to brainstorm a possible headline for your story, and include that as part of the subject line, i.e. Freelance Pitch: 50 Amazing Facts About Animals. Having a headline can help us better understand the angle you plan to use with your story. 11

Submission and review process: “Expect a response to your pitch within two weeks. If you do not receive a response after two weeks, you can assume it’s a pass. Due to the number of pitches we receive each day, we are unfortunately not able to respond to every pitch we receive.” 12

Editorial tone: Informal and conversational. Witty, humorous, and informative.

Style guide used: None stated.

Conclusion: Evaluation of publication’s potential for LIS authors

This would be an excellent publication for LIS authors. Librarians are knowledge and information brokers and are often referred to as Renaissance people because of their vast array of knowledge. This type of website caters to that deep storehouse of information. And this website in particular might provide a nice respite from the regular scholarly articlesa way to showcase not only your knowledge but your sense of humor.


Audience analysis

About the publication’s readers

Publication circulation: “Since its founding in a Duke University dorm room in 2001, Mental Floss has reached more than 1 billion readers with smart, quirky content presented in a witty, upbeat voice. We reach more than 19 million users per month across our site, social media accounts, and popular YouTube channel.” 13

According to Visitor’s Worth website, Mental Floss has approximately 58,000 daily visitors, with 154,000 daily page views. 14

Audience location and language or cultural considerations: According to Visitor’s Worth website, the most traffic for the publication comes from audiences in the United States, but the website also has a following in the UK, Canada, India, and Germany. 15 The website publishes in the English language.

Reader characteristics: In general, readers want to expand their knowledge in easily digested tidbits without having to read a whole book on a subject. For example, a past issue boiled down complex theories such as chaos theory, string theory, evolution, game theory, and artificial intelligence into one-to-two-page summaries that mix facts with wit and humor. There are no particular biases in the readership of this publication, except a propensity for trivia and Jeopardy-like knowledge.

Knowledge of LIS subject matter: Readers’ LIS knowledge would vary depending on their interest and work environment. It would be safe to assume a number of librarians read and enjoy this publication, but as the focus is on providing intelligent, humorous articles, use of LIS jargon should be avoided.

Conclusion: Analysis of reader characteristics and their potential impact on authors

Potential authors should keep in mind that readers already have a vast amount of information and wish to add to that knowledge in an enjoyable way. When writing articles for this publication, try to mix education with entertainment. No topic is off limits if you can approach it with new or interesting information presented in a fun way.

Last updated: December 5, 2020


Show 15 footnotes

  1. Mental Floss, Ulrichsweb Global Serials Directory, accessed December 5, 2020,
  2. “About Us,”, accessed December 5, 2020,
  3. “Mental Floss,”, accessed December 5, 2020,
  4. “About Us.”
  5. “Mental Floss.”
  6. “Life After Print for Mental Floss,”, accessed December 5, 2020,
  7. “About Us”
  8. “Pitch,”, accessed December 5, 2020,
  9. “Pitch.”
  10. “Pitch.”
  11. “Pitch.”
  12. “Pitch.”
  13. “About Us.”
  14. “,”, accessed December 5, 2020,
  15. “”
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Book Riot

Publication analysis

About the publication

Title: Book Riot



Purpose, objective, or mission: “Book Riot is the largest independent editorial book site in North America, and home to a host of media, from podcasts to newsletters to original content, all designed around diverse readers and across all genres.” 1

“We’re dedicated to the idea that writing about books and reading should be just as diverse as books and readers are. We began with the goal of leading a new discussion around books, readers, and publishing. Individually and collaboratively, we do the work each day to innovate fresh content and services to our readers, amplify marginalized voices, and challenge ourselves and our community to be inclusive.” 2

Target audience: People who love books and reading about books.

Publisher: Riot New Media Group. 3

Peer reviewed? No.

Type: Civilian publication.

Medium: Online.

Content: “The content is comprised of humor, reviews, commentary, and news as well as editorials on topics related to the reading experience. Book Riot addresses new technology in the literary space and developments in the publishing industry.” 4

Frequency of publication: New content is posted daily.

About the publication’s submission guidelines

Location of submission guidelines:

Types of contributions accepted: “If you can write something smart or funny or interesting or provocative about books in the space of about 600-800 words, we’re interested in hearing from you. Your samples should be things you think could go up on Book Riot just as they are. We recommend that one be an entry for the Our Reading Lives series, and the other on any topic of your choosing.” 5

DO NOT submit “traditional book reviews, interviews, or links to Goodreads, LibraryThing, Amazon, etc. Also, please do not submit image-heavy pieces; we want to get a feel for your voice and writing style.”6

DO NOT send “writing samples unrelated to books and reading. Your samples should show us that you understand how we do things here at the Riot and that you can do it too. Want to learn more about who we are? Poke around the site, and check us out on InstagramTwitterFacebook, and our content on Goodreads.” 7

Submission and review process: “Please note that due to the high volume of applications we receive, we cannot respond to each one. We’re currently accepting applicants on a rolling basis. If you are accepted, you’ll hear back within one month of submitting your application.” 8

Editorial tone: Sometimes serious, sometimes silly, but never stuffy or boring.

Style guide used: None given.

Conclusion: Evaluation of publication’s potential for LIS authors

If you love books and have blogging experience, this is a great place to submit writing. The pieces are fun, cover a wide range of books, and aren’t limited to just reviews: the site loves top 10 lists of all flavors, introductions to authors you’ve never read, giveaways, and posts about current events like Amazon acquiring Goodreads and how that will affect readers. The site isn’t peer reviewed and might not help you gain tenure, but it’s a wonderful community of book lovers who will most likely appreciate an LIS writer’s perspective on reading.


Audience analysis

About the publication’s readers

Publication circulation: According to the 2020 Media Kit, 3.2m+ global monthly unique visitors, 1.1M+ email subscribers, 1.5m+ Social connections. 9 

Audience location and language or cultural considerations: Book Riot states it is the largest independent editorial book site in North America. 10

Reader characteristics: According to the 2020 Media Kit, 50% of readers are between the ages of 18-35, 16% of readers are between the ages of 35-45, 64% are female, 51% have children, 45% attended college with 26% attended grad school. Readers have “above average” household income. Reader industries include education and library, business services and retail. Reader interests include books and literature, comics and animation, cooking, and pets. 11

Audience Bookish Habits: Average 80 books read per year, spend an average of $371 per year on books, 34% are currently in a book club, 46% have subscribed to a book subscription service. 12

Knowledge of LIS subject matter: Readers will most likely have some knowledge, but this is strictly a civilian publication that doesn’t want to be too stuffy, so keep the LIS jargon out of your submissions.

Conclusion: Analysis of reader characteristics and their potential impact on authors

If you have blogging experience and a good social media presence, this would be an ideal site to pitch ideas. Think beyond mere book reviews; Book Riot is the place for more thoughtful, interesting, or just plain fun commentary around reading or books. Readers will be receptive to a librarian’s perspective and insight, and the field is wide open for LIS-related ideas that can appeal to a lay reader.

Last updated: November 27, 2020


Show 12 footnotes

  1. “About Us.”,, accessed November 27, 2020,
  2. “Join Us.”,, accessed November 27, 2020,
  3. “About Us.”
  4. “Advertise.”,, accessed November 27, 2020,
  5. “Write for Book Riot.”,, accessed November 27, 2020,
  6. “Write for Book Riot.”
  7. “Write for Book Riot.”
  8. “Write for Book Riot.”
  9. “Media Kit.”,, accessed November 27, 2020,
  10. “Media Kit.”
  11. “Media Kit.”
  12. “Media Kit.”
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The Chronicle of Higher Education

Publication analysis

About the publication

Title: The Chronicle of Higher Education

ISSN: 0009-5982(Print) and 1931-1362 (Online)1


Purpose, objective, or mission: “The Chronicle of Higher Education has the nation’s largest newsroom dedicated to covering colleges and universities. As the unrivaled leader in higher education journalism, we serve our readers with indispensable real-time news and deep insights, plus the essential tools, career opportunities, and knowledge to succeed in a rapidly changing world.” 2

“Higher-ed professionals rely on The Chronicle for unbiased, engaging content to help their students, institutions, and careers.”  3

Target audience: Higher education faculty and administration.4

Publisher: Chronicle of Higher Education, Inc.5

Peer reviewed? No. 6

Type: Civilian; though it does sometimes carry articles of interest to or authored by librarians, it is mainly for the general administration and faculty. 7

Medium: Print and online.8

Content: The website contains news, featured stories, opinion pieces, advice columns, job listings, and career-building tools such as online CV management and salary databases. The print magazine includes news, jobs, and The Chronicle Review. 9

The Chronicle Review is a weekly magazine of ideas. We publish essays, review essays, book reviews, and reporting on academic, intellectual, and cultural affairs. 10

Frequency of publication: The Chronicle updates its website daily and is available bi-weekly in print. 11

About the publication’s submission guidelines

Location of submission guidelines:

Types of contributions accepted: The Chronicle welcomes correspondence, manuscripts, and proposals for articles from our readers. Articles and letters may appear in our print edition, our website, or both. We publish essays, review essays, book reviews, and reporting on academic, intellectual, and cultural affairs. We consider unsolicited submissions; however, please read The Review before submitting your work to familiarize yourself with what we publish. 12

Commentary and Views:
“We consider articles or proposals for articles that express an opinion on issues and policies affecting higher education as well as those that explore, through the author’s personal experience, some aspect of the larger academic community. All Commentary and Views submissions should be 1,000 to 1,200 words and should contain URL links to source material for facts and figures mentioned in the essay.” 13

“We publish first-person and advice columns on topics including the job market and the hiring process in academe; the graduate-school experience, tenure and promotion, the administrative career path, and career options for Ph.D.’s; professional challenges in research, publishing, teaching, and service work; academic culture; and balancing work and family. Essays should be 1,000 to 1,500 words and written in a conversational, journalistic style.” 14

“Please make your points as concisely as possible. We will not publish letters longer than 350 words, and all letters will be edited to conform to our style.” 15

“The Chronicle welcomes news pitches that pertain to higher education, but note that in a typical week, our reporting staff receives hundreds of them. We’re writing for a national audience, so a successful pitch will not only point out a compelling local story, but will also be relevant to administrators, professors, and higher-education observers across the country.” 16

Submission and review process: The decision to accept or reject a manuscript rarely takes more than a week. All accepted essays and articles are rigorously edited and fact-checked. Authors have the opportunity to review and approve a manuscript before it’s published. The editors of The Review will decide where and when the piece is published, with some articles appearing only online.17

Editorial tone: Journalistic and conversational.

Style guide used: None specified. “While we cover the academy, we are not a scholarly journal. Essays should be written in a clear, informal style free of jargon and accessible to nonspecialists.” 18

Conclusion: Evaluation of publication’s potential for LIS authors

Because of the publication frequency and the audience that this newspaper serves, this is a good place for the new author to publish. You don’t necessarily have to work in academe, but it helps. Academic librarians, along with information professionals with an interest in education or pedagogy, would be welcomed here. This publication is an informal counterpart to academic journals, a sort of cocktail hour where academics can mull over or vent about relevant issues within and outside of their field. Interested authors will be intelligent, educated and independent thinkers with something interesting to say.

Also, the wide variety of pieces found in the The Chronicle makes it very easy to find something to write about that, if written in a clear prose style, has a decent chance of being published. Book reviews are a natural, but the longer commentary pieces on some topical tempest occurring in the academy are always a good bet. Because so many write under pen names, the odds of a new author being accepted seem high.

Because of its eclectic content, others working in academe will also find something interesting in The Chronicle of Higher Education. While this publication is definitely written for those with careers in higher education, LIS authors with an interest in teaching will find something of interest here as well.

Audience analysis

About the publication’s readers

Publication circulation: “Our award-winning journalism is well-known at colleges and universities: More than 2 million people visit our website every month, and 1,650 organizations across the country make our journalism available to every one of their employees and students.”19

Audience location and language or cultural considerations: Though The Chronicle claims to be the main source of the goings on in higher education, it does tend to concentrate on the English-speaking world of the United States and sometimes Canada and the United Kingdom.20

Reader characteristics: According to The Chronicle’s advertising materials, “86% of readers are decision makers and influencers at their institutions. 54% are in senior leadership positions at their institutions. 92% hold a master’s degree or higher. 60% have a doctorate degree. Readership includes 90% of the buying power in all of U.S. higher education and 90% of the top 300 research institutions in the U.S.” 21

Knowledge of LIS subject matter: While the readership may garnish accolades in the higher education arena, they may still lack knowledge in LIS jargon, processes, and trends/innovations.

Conclusion: Analysis of reader characteristics and their potential impact on authors

The readers are well educated and very interested in their profession and the culture of academe as a whole. Writing for The Chronicle would be an excellent way to increase understanding of library issues (such as information literacy) and market the library’s relevance to other professions. Intellectual and academic freedom, new issues in purchasing and providing content such as e-journals, information literacy, and services to disadvantaged groups would be other issues that would resonate with this readership.

An LIS professional writing for this audience would not have much additional work to do, so long as he or she has something interesting and informed to write about. While this is not the place for scholarly work, readers do enjoy learning about new research or reading critiques of articles they’ve read in an entertaining format. They want to read shop talk, stay informed in their field, and feel connected to issues in the larger world.

This would be a good place to write an opinion piece about an LIS issue that touches on education, society or academe, or review a work that touches on these same issues. Todd Gilman, Librarian for Literature in English at Yale University and a Lecturer at San Jose State University, has published articles about distance education, special collections, research skills and information literacy, and other topics that connect libraries and academe in The Chronicle.

Last updated: November 7, 2020


Show 21 footnotes

  1.  The Chronicle of Higher Education, Ulrichsweb Global Serials Directory, accessed November 7, 2020,
  2. “About Us.”,, accessed November 7, 2020,
  3. “Advertising.”,, accessed November 7, 2020,
  4. “About Us.”
  5. “About Us.”
  6. “Contact Us.”,, accessed November 7, 2020,
  7. “About Us.”
  8. “About Us.”
  9. “About Us.”
  10. “Contact Us.”
  11. “About Us.”
  12. “Contact Us.”
  13. “Contact Us.”
  14. “Contact Us.”
  15. “Contact Us.”
  16. “Contact Us.”
  17. “Contact Us.”
  18. “Contact Us.”
  19. “About Us.”
  20. “About Us.”
  21. “Advertising.”
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Pittsburgh City Paper

Publication analysis

About the publication

Title: Pittsburgh City Paper

ISSN: 1066-00621


Purpose, objective, or mission: This publication provides weekly information on current local news about entertainment, events, politics, sports, and other local interests. Most readers look to this as a guide for weekly events.2

“As Pittsburgh’s independent voice, we offer a unique prospective on local politics and news, intelligent and fresh cultural reporting, the most comprehensive calendar of events, and stories you will not find anywhere else.” 3

Target audience: Pittsburgh city residents.

Publisher: Eagle Media Corp.4

Peer reviewed? No.5

Type: Civilian, alternative newspaper.

Medium: Print and online.

Content: Information on local music, art, entertainment, sports, news, and politics.6

Frequency of publication: Weekly.7

About the publication’s submission guidelines

Location of submission guidelines:

Types of contributions accepted: The guidelines state: “We use freelance talent every week, and we value the contributions made by our freelancers. But we don’t just take freelancers from off the street; that’s how we hire editors. When a prospective freelancer wants to write for us, we have two questions: Is this person able to bring us stories we can’t get on our own? and Is this person capable of actually writing the story? To answer the first question, you need to bring us some story pitches. These should be stories you think we’ll want — and stories we don’t already have.”8

“How can you tell what sort of material qualifies? The easiest way is to look at the paper. See what we already publish … and what we don’t. Tailor your ideas accordingly. Here are a few hints to get you started. What we are interested in: Stories about local artists. Stories about local news and politics. Stories about Pittsburgh, in all its love and squalor. What we’re not interested in: Political screeds about how great President Obama is. Political screeds about how awful President Obama is. First-person essays. Your problems.”9

“As to that second question — can this person write the story themselves? — we’re looking for skilled writers and thorough reporters who know the territory. The best proof of these qualities is clips of previously published work. Articles for your college newspaper, freelance stuff you did for community papers, Pulitzer Prize-winning multi-part series from The New York Times … we’ll look at almost anything.”10

Submission and review process: Submission method depends on the type of article. The guidelines provide the editors responsible for each type and their preferred contact method. Review and acceptance of submissions responsibility of editors.11

Editorial tone: Informal and clever.

Style guide used: Not specified in guidelines.

Conclusion: Evaluation of publication’s potential for LIS authors

This publication provides a fair opportunity for LIS authors residing in Pittsburgh or familiar with the area. Potential for publication of book reviews, local information services, and content about local programming and events that would interest the younger audience of the newspaper. Authors from the Pittsburgh area, with personal knowledge of the area and population, would find it easier to write for this publication. Because this publication is free both in print and online, it has the potential to meet a wide audience within the city.


Audience analysis

About the publication’s readers

Publication circulation: 58,000.12

Audience location and language or cultural considerations: Metro Pittsburgh area.

Reader characteristics: Readers are described as “younger and more affluent,” though the age breakdown in the media kit indicates that readership spans a range of age groups, with 25% between 25 and 34 and 20% over 65.13

Knowledge of LIS subject matter: While some readers will certainly be librarians, library administration and staff, and library students who live in the Pittsburgh area, this publication does not specialize in LIS subject matter, nor are any readers expected to have knowledge of LIS subject matter.

Conclusion: Analysis of reader characteristics and their potential impact on authors

Readers might be interested in technology, local events (possibly library events), interesting stories and news about their local libraries.

Last updated: October 25, 2020


Show 13 footnotes

  1.  Pittsburgh City Paper, Ulrichsweb Global Serials Directory, accessed March 27, 2018,
  2. “Pittsburgh City Paper,”, accessed October 23, 2016,
  3. “Advertise.”,, accessed October 25, 2020,
  4. “Pittsburgh City Paper.”, Contact Us, accessed September 15, 2018,
  5. “Freelance/Intern Guide,”, accessed October 23, 2016,
  6. “Pittsburgh City Paper.”
  7. “Subscriptions,”, accessed October 23, 2016,
  8. “Freelance/Intern Guide.”
  9. “Freelance/Intern Guide.”
  10. “Freelance/Intern Guide.”
  11. “Freelance/Intern Guide.”
  12. “Pittsburgh City Paper Media Kit,”, accessed October 23, 2016,
  13. “Pittsburgh City Paper Media Kit.”
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Publication analysis

About the publication

Title: Bookmarks

ISSN: 1546-06571

Purpose, objective, or mission: The magazine offers a guide to the best in books, both new and old, by summarizing book reviews, highlighting the best works by classic authors, and polling experts on non-fiction recommendations. “Bookmarks magazine is a decidedly unstuffy, glossy magazine delivered right to your doorstep every two months. Simply put, we are the best source of ideas for your reading list: we summarize book reviews so you can make an informed decision about what to read next, highlight classic and contemporary authors, uncover readers’ everyday favorites, and much more.” 2

“Bookmarks magazine was the brainchild of Jon Phillips and Alison Nelson, who envisioned a magazine for book lovers: readers who spend countless hours combing bookshelves, clipping book reviews, and studying author biographies and reading lists. Jon and Alison searched high and low for a comprehensive source they could trust for literary advice and pictured a research team hard at work for them: summarizing book reviews, highlighting the best works of classic and contemporary authors, presenting books in different genres and on different topics, and uncovering everyday readers’ favorite books. They looked everywhere, but that team, that one source, that dream magazine, didn’t exist. So they created it, and that editorial team become a reality.” 3


Target audience:  Adults who are active readers; the “intelligent mainstream.”4

Publisher: Bookmarks Publishing LLC. 5

Peer reviewed? No

Type: General interest, civilian. The content is written in simple but engaging language intended for book lovers and readers with some knowledge of authors current and past. Generally the magazine is free of LIS or scholarly jargon.

Medium: Print magazine6 with some content, such as reading lists and guides, posted online.


“Our readers enjoy summaries of hundreds of opinions from every major newspaper and magazine for a comprehensive look at 50 new fiction, nonfiction, and children’s books, all designed to give you the information you need to make the best reading choices. We highlight the books that receive a lot of attention, but we always search for that great unsung book that quietly gets just a few enthusiastic reviews.

We also present in-depth profiles on classic as well as contemporary authors, discussing their lives and major (and not so major) works. Bookmarks also covers different topics, from the best American biographies to new fiction in English translation to great mystery, fantasy, and historical fiction series.

Since the best books become known by word-of-mouth, Bookmarks publishes unique lists of our subscribers’ favorites—terrific, little-known gems. Each issue also features a different book club discussing the books its members loved … and the ones that caused the most awkward silences.” 7

Frequency of publication: Every 2 Months. 8

About the publication’s submission guidelines

Location of submission guidelines:

Types of contributions accepted: “The magazine is structured in its content and will rarely consider pitches that fall outside of that structure. We do not publish original reviews; rather, our mission is to summarize existing reviews from major newspapers and magazines (in our opinion, the last thing the world needs … is another opinion). Within a fairly structured format, we also publish classic and contemporary author profiles as well as specific articles on various topics (Historical Fiction About the Renaissance, Best New Crime Writing, What’s New in Europe, Feminist Fiction, Books of World War II, etc.).” 9

From the website 10:

  • Letters to the Editor
    Please send letters to or to our editorial address: Bookmarks Magazine, 2625 Alcatraz Avenue, #362, Berkeley, CA 94705. Please indicate in your letter if you do not wish the contents of your letter to be considered for publication in the “Letters to the Editor” section of the magazine.
  • Book Club Submissions
    Please include the following information for your book group profile: your name and contact information, the name of the book group, the group’s location, and a photo. Email your information to or send it to to our editorial address: Bookmarks Magazine, 2625 Alcatraz Avenue, #362, Berkeley, CA 94705​.

Submission and review process: “You may submit a resume and short (fewer than 1,000 words) book- or literary-related writing sample in the text of your email message. We will NOT consider applications without a writing sample. No phone calls or email attachments, please. Address your email to 11

Editorial tone: Casual but informed, as if you were talking in a book club, and “decidedly unstuffy.”12

Style guide used: None given.

Conclusion: Evaluation of publication’s potential for LIS authors

Anyone who is interested in reviewing books for a book-loving audience would likely have success at Bookmarks. LIS authors would be particularly well-suited for the mining and synthesizing of information required for the consensus-oriented book reviews.


Audience analysis

About the publication’s readers

Publication circulation: More than 40,000.13

Audience location and language or cultural considerations: The magazine is based in the United States and printed in English. Because Bookmarks is mostly a compilation of other media reviews, there would be little variety in cultural considerations.

Reader characteristics: The magazine’s media kit states, “Active readers are generally better educated and more affluent consumers. It has been proven they are more interested in travel, science, arts and the community.”14

Knowledge of LIS subject matter: The general reader may be aware of public library terms, but not specific jargon. Many will have an interest in libraries due to the free access to books that have just been reviewed. Some could be aware of the financial struggles that libraries face and the competition from Internet entertainment.

Conclusion: Analysis of reader characteristics and their potential impact on authors

The defining characteristic of the Bookmarks audience is a love of reading. For a librarian who is skilled at readers advisory or collection development, this should be an easy audience to reach and a pleasurable topic to write about. Authors with a special knowledge or interest in certain topics (non-fiction, suspense novels, etc.) could be asked to write on those, but writing brief reviews on any books would be the main desire. Readers expect reviewers to have a confidence about books they recommend (or criticize!). A general magazine about books features classic books in a genre, but also upcoming books, which is one of the main interests of voracious readers. Those who are passionate about a genre or an author want to know what is coming next. Authors and reviewers should be able to excite a reader about a book, while being entertaining but not giving away major plot surprises! Bookmarks has a witty and casual tone, and its habit of compiling reviews from other sources gives the audience “soundbites” for books, instead of in-depth analysis. Potential authors should therefore be clever and concise.

Last updated: September 8, 2020


Show 14 footnotes

  1. Bookmarks.”, Ulrichsweb Global Serials Directory, accessed September 8, 2020,
  2. “Home.”,, accessed September 8, 2020,
  3. “About Us.”,, accessed September 8, 2020,
  4. “Bookmarks Media Kit.”,, accessed September 8, 2020,
  6. “Subscribe.”,, accessed September 8, 2020,
  7. “Home.”
  8. “Home.”
  9. “Contact Us.”,, accessed September 8, 2020,
  10. “Contact Us.”
  11. “Contact Us.”
  12. “Bookmarks Media Kit.”
  13. “Bookmarks Media Kit.”
  14. “Bookmarks Media Kit.”
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Bitch Media

Publication analysis

About the publication

Title: Bitch Media

ISSN: 1524-5314 (Print) and 2162-5352 (Online)1


Purpose, objective, or mission: From the website: “Bitch Media’s mission is to provide and encourage an engaged, thoughtful feminist response to mainstream media and popular culture.”2

“Bitch seeks to be a fresh, revitalizing voice in contemporary feminism, one that welcomes complex arguments and refuses to ignore the contradictory and often uncomfortable realities of life in an unequivocally gendered world.”3

“Bitch looks at the media and its products through a lens that takes into account the historical and cultural representation of gender in pop culture.”4

Target audience: Largely women, but meant for anyone who is interested in a modern feminist discussion on media and popular culture. According to the website, Bitch has a diverse audience and is “uniquely situated to draw in young readers who are at a critical moment in their lives—a moment when they are discovering feminism and activism, finding answers to who they are, and questioning the definitions of gender, sexuality, power and agency prescribed by the mainstream media.”5

Publisher: Bitch Media.6

Peer reviewed? No.7

Type: Lay publication, with emphasis on politically and socially minded individuals.8

Medium: Quarterly Magazine, Weekly Podcast, and Daily Online Content. 9

Content: “Bitch looks at the media and its products through a lens that takes into account the historical and cultural representation of gender in pop culture.” Media includes Movies, television, news magazines, fashion magazines, blogs, comics, advertising, music, computer games. 10

Frequency of publication: The print magazine is published quarterly, online content is published five days a week.11

About the publication’s submission guidelines

Location of submission guidelines:

Types of contributions accepted: From the website: “We are looking for discussion-provoking critical essays that are well researched with evidence to back up claims, timely statistics, and connections between one’s personal experience and larger social forces. Interviews with feminist culture-makers are welcome, as are book, film, and music reviews and nuanced analyses of particularly horrifying and/or inspiring examples of pop culture. First-person essays are great, but please read our print magazine and website to get a sense of how our contributors strike a happy balance between the personal “I” and the larger subject matter at hand.”12

Bitch accepts nonfiction pieces only, and does not accept fiction, poetry, “personal essays, experimental lyric essays, or anything that reads like a dissertation.”13 Each issue has a theme, but the themes are meant to serve as jumping-off points rather than rigid guidelines. Be sure to check the website for upcoming topics, but the editors encourage pitches for articles that would suit the magazine but don’t fit an upcoming theme.14

Potential contributors are encouraged to consider which section of the magazine would best fit their idea before submitting a pitch. Features are “2,200 to 3,000 words of meaty critiques, essays, and articles on pop culture from a feminist perspective.” These pieces should be filled with “personal insight and wit,” and may vary in format, such as interviews, reported pieces, critical essays, or even timelines, charts, and comics.15 Dispatches are “1,200 word missives from the front lines of real, imagined, or fictional worlds and places.” 16 “Culture is where Bitch brands its cultural authority through essays about books, music, and screen; profiles of individuals and those who are creating and defining cultural moments; and interviews with those working in publishing, Hollywood, podcasting, and other areas who are helping us imagine new possibilities for representation and inclusion.”17

“Payment varies but is generally $700-$1000 for features, $350 for dispatches, and between $250-$700 for culture stories. All of our writers are paid. Please send all materials through our submission manager. Submit to the section of the magazine that best fits your pitch.” 18

Submission and review process: Both finished work and query letters are accepted. If sending only a query, include clips and/or writing samples. Submissions, query letters, and pitches are accepted through their link to Submittable. Bitch accepts online pitches on a rolling basis. view open calls and submit your pitches through the website found within the writers-guidelines. “Due to the volume of pitches we receive, we are unable to respond to every pitch and will only respond to the pitches that we accept.” 19

Editorial tone: Serious, and seriously tongue-in-cheek. This is not a scholarly publication and sarcasm is rampant, but Bitch remains a very thoughtful and provocative media organization.

Style guide used: None specified.

Conclusion: Evaluation of publication’s potential for LIS authors

Library and information science is a field that is historically dominated by women, and perhaps due to that, it is a profession filled with preconceived notions and attitudes about women as librarians (think severe, hair-buns, glasses, and sensible shoes). Bitch is an excellent forum to discuss how we as librarians (both male and female) are seen in popular culture, what that image represents, and if that image affects how the populace sees us. It would be a good forum to discuss how gender, sexuality, and feminism play a role in our profession, as well as an outlet to discuss how other LIS issues are affected by or are affecting popular culture and the media. LIS authors with a background or interest in women’s studies or literature might be interested in writing feature articles, though an interdisciplinary perspective is key.

Bitch began as a zine, and has grown into an independent, nonprofit, feminist media organization.20 But that independent spirit, snarky attitude and distrust of the status quo have remained. The magazine endeavors to be a “tool kit” that engages readers in analysis that promotes activism and social change, and LIS authors with an interest in social justice, critiques of mainstream culture, and independent thinking would be at home here. Come with a strong opinion, say it well and say it with wit.21

This organization recognizes the value of libraries as places of critical inquiry, and supports a Bitch Community Lending Library that houses a diverse selection of 2,000 feminist materials to the community in the magazine’s home of Portland, Oregon. “Our library holds over 2,500 books, zines, magazines, and DVDs that explore feminism, media studies, pop culture, queer studies, race studies, sex and sexuality, body image and much more. The library also holds rare issues of ROCKRGRL and Sassy magazines which are available for browsing in our cozy reading room. The books in our catalog are available to search online.” 22


Audience analysis

About the publication’s readers

Publication circulation: The print magazine has 80,000 readers, while the website receives nearly 5 million unique visitors each year.23

Audience location and language or cultural considerations: Bitch subscribers reside in 46 countries and all 50 states, with 78% of readers living in urban areas or college towns.24 This magazine focuses on popular culture and media images almost exclusively in the United States. Bitch will repeatedly refer to people, places, ads, and events that will only make sense to a person who has an idea of the major figures or subjects in American popular culture.

Reader characteristics: The majority of Bitch’s readers are between the ages of 25 and 34. They are well educated, tech savvy, and have Internet access. Bitch readers are also civic-minded and politically aware, with 85% having voted within the last year, and 51% having contacted their elected officials in the past year. They overwhelmingly identified as politically liberal, progressive, or radical.  They donate to causes and campaigns that are important to them. They read in their spare time, with 63% reading more than 10 hours a week. They are vocally and financially supportive of music, theater, and the arts. They are well-traveled: 48% traveled overseas in the past three years, and 92% traveled domestically in the last year. Bitch readers are conscientious consumers: 82% go out of their way to shop at independent retailers, 84% purchase environmentally friendly products and services, and 44% independently research a company’s mission or labor practices before buying its products.25

Knowledge of LIS subject matter: Little to none. The odds are good that the reader has spent time in libraries of some kind (academic, school, and public), and shares values the library upholds, such as intellectual freedom and equal access to information.

Conclusion: Analysis of reader characteristics and their potential impact on authors

This organization’s readership is large, and while readers are largely unfamiliar with LIS topics, virtually any LIS subject relating to feminism (e.g., gender prejudices within LCSH subject headings) would be welcomed here. This audience wants something that is thought-provoking, well written, and entertaining. They want to discuss thematic figures of women, femininity and gender within pop culture and society as a whole.26

Readers are overwhelmingly well-educated, socially and politically progressive women who live in urban areas. Do not assume there will be a great deal of knowledge or even interest in many library issues or concerns, but there will be an interest in how librarianship as a profession and threats against freedom of information affect the position of women and minorities in American society. Persuasive and thoughtful writing is more important than citations, statistics, or user studies (though referring to any of these will help solidify the author’s argument). Remember that these readers don’t just read about a topic, they do something about it. This is an audience whose members just might write to their legislators about a library issue or volunteer at their local library, if those issues resonate with them. This is a great audience to reach, not only because it shares LIS values but because it has the potential to be an advocate for LIS issues.

Last updated: August 30, 2020


Show 26 footnotes

  1.  Bitch, Ulrichsweb Global Serials Directory, accessed March 23, 2018,
  2. “About Us.”,, accessed September 23, 2018,
  3. “About Us.”
  4. “About Us.”
  5. “About Us.”
  6. “About Us.”
  7. “Contributors’ Guidelines.”,, accessed September 7, 2016,
  8. “About Us.”
  9. “About Us.”
  10. “About Us.”
  11. “About Us.”
  12. “Contributors’ Guidelines.”
  13. “Contributors’ Guidelines.”
  14. “Contributors’ Guidelines.”
  15. “Contributors’ Guidelines”
  16. “Contributors’ Guidelines”
  17. “Contributors’ Guidelines.”
  18. “Contributor’s Guidelines.”
  19. “Contributors’ Guidelines.”
  20. “About Us”
  21. “About Us.”
  22. “Bitch Community Lending Library.”,, accessed September 7, 2016,
  23. “Get that Life: How I Co-founded Bitch Media.”,, accessed September 7, 2016,
  24. “Bitch Media Sponsorship Kit.”,, accessed September 7, 2016,
  25. “Bitch Media Sponsorship Kit.”
  26. “About Us.”
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Collection and Curation


Publication analysis

About the publication

Title: Collection and Curation (renamed in 2018 from Collection Building)

ISSN: 2514-9326 (Print) and 2514-9334 (Online)1


Purpose, objective, or mission: Per the publication website, “Collection and Curation provides well-researched and authoritative information on the rapidly-changing conceptions of what collection development is in libraries, archives, museums and galleries.”2

Target audience: Academics and professionals concerned with collection development in libraries, museums, archives, and galleries. 3

Publisher: Emerald Group Publishing Limited4

Peer reviewed? Yes5

Type: LIS scholarly6

Medium: Print and online7

Content: Topics of study include but are not limited to the collection and management of files, data, and artifacts in academic, special, and public libraries; the assessment of those collections; development of and public engagement with collections; and the appropriate use of space in libraries.8

Frequency of publication: Quarterly.9

About the publication’s submission guidelines

Location of submission guidelines: Author Guidelines

Types of contributions accepted: The journal publishes research papers, opinion pieces, technical product reviews, conceptual papers, case studies, literature reviews, and general reviews of a more instructional nature. Most articles are between 1,000 and 3,000 words in length.10

Submission and review process: Submissions are made through ScholarOne Manuscripts, an online submission and peer review system. To help authors ensure their submissions are complete, Emerald Publishing offers an Article Submission Checklist.11 Once a submission is deemed suitable for publication by the editor, it is “sent to at least one independent referee for double blind peer review. Conference reports and columns are not subject to a formal review procedure.”12

Editorial tone: Articles are written in a highly professional and academic style. The journal publishes articles that are “well-researched and authoritative.”13

Conclusion: Evaluation of publication’s potential for LIS authors

Collection and Curation is a peer-reviewed, authoritative research journal. As the journal covers practical and academic issues, it is a suitable venue for both LIS professionals’ views on current trends in the field and library school students’ research in collection development and curation.

Collection and Curation does not list abstracting or indexing data.


Audience analysis

About the publication’s readers

Publication circulation: No circulation information is available.

Audience location and language or cultural considerations: Language of text is English.14 This journal reaches a worldwide audience, with an editorial team based in Australia, Greece, the United Kingdom, India, Canada, and the United States, 15

Reader characteristics: Readers of this journal are information professionals and academics who share an interest in collection development, curation, and management.16

Knowledge of LIS subject matter: While the focus of this journal is generally on LIS subjects and topics, since broadening its scope in 2018 to include a curation aspect, the journal now includes non-LIS specific content that those in museums and galleries will find helpful. Looking at recent issues shows a broad scope, including traditional LIS subjects such as collection development, but also discussions on European women photographers and Mexican photojournalism. Therefore deep knowledge of LIS subject matter would be helpful, but not required.17

Conclusion: Analysis of reader characteristics and their potential impact on authors

Readers will have a high level of knowledge of LIS issues and a practical need of collection assessment tools and advice. The prospective author should remember the specialized needs of the audience and the expectation of well-researched, high-quality writing.

Last updated: May 11, 2020


Show 17 footnotes

  1. Collection Building, Ulrichsweb Global Serials Directory, accessed May 11, 2020,
  2. “Journal Description” Emerald Publishing, accessed May 11, 2020,
  3. “Journal Description” Emerald Publishing, accessed May 11, 2020,
  4. Collection and Curation, Ulrichsweb Global Serials Directory, accessed May 11, 2020,
  5. Collection and Curation, Ulrichsweb Global Serials Directory, accessed May 11. 2020,
  6. Collection and Curation, Ulrichsweb Global Serials Directory, accessed May 11, 2020,
  7. “Purchase and Trial Options” Emerald Publishing, accessed May 11, 2020,
  8. “Aims and Scope” Emerald Publishing, accessed May 11, 2020,
  9. Collection and Curation, Ulrichsweb Global Serials Directory, accessed May 11, 2020,
  10. “Author Guidelines,” Emerald Publishing, accessed May 11, 2020,
  11. “Article Submission Checklist,” Emerald Publishing, accessed May 11, 2020,
  12. “Author Guidelines,” Emerald Publishing, accessed May 11, 2020,
  13. “Journal Description” Emerald Publishing, accessed May 11, 2020,

    Style guide used: A comprehensive house style guide is provided on the journal website. References should be written in Harvard style.[14. “Author Guidelines,” Emerald Publishing, accessed May 11, 2020,

  14. Collection and Curation, Ulrichsweb Global Serials Directory, accessed May 11, 2020,
  15. “Editorial Team,”
  16. “Journal Information” Emerald Publishing, accessed May 11, 2020,
  17. “Collection and Curation” Emerald Publishing, accessed May 11, 2020,
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